月亮上的洞

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Halle A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.                                                                      A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and  "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality.                                                                      Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others.                                                                      The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country. 详情

• HD中字

  闪电战

  西尔莎·罗南,埃利奥特·赫弗南,哈里斯·迪金森,本杰明·克莱曼汀,凯西·伯克,保罗·韦勒,斯蒂芬·格拉汉姆,雷·吉尔,Mica Ricketts,C·J·贝克福德,阿历克斯·杰宁斯,约书亚·麦圭尔,海莉·斯奎尔斯,艾琳·凯利曼,萨莉·梅瑟姆,约瑟夫·阿尔京,克里斯托弗·钟,杰拉德·摩纳科,希瑟·克兰妮,桑德拉·休杰特,Isaac Highams,格雷厄姆·福克斯,Jack Shalloo

• HD中字

  钢琴课2024

  塞缪尔·杰克逊,约翰·大卫·华盛顿,丹妮尔·戴德怀勒,雷·费舍尔,科里·霍金斯,迈克尔·波茨,Skylar Smith,史蒂芬·詹姆士,埃丽卡·巴杜,Malik J Ali,查丽蒂·乔丹,Isaiah Gunn,Matrell Smith,杰瑞卡·辛顿,盖尔·比恩,Hanniel Joseph,保莱塔·华盛顿,奥利维亚·华盛顿,Kylee D. Allen,Deetta West

• HD

  绑架游戏2024

  彭昱畅,胡冰卿,姚橹,小爱,史策,修睿,宋词,刘頔,唐赟

• HD中字

  娑婆诃

  李政宰,朴正民,李在仁,陈善圭,刘智泰,郑镇荣,李大卫,黄贞敏,池承炫,郭英申,李文石,金范秀,表圣秀,林孝振,金有娜,郑美景,姜智贤,郑炳斗,金承铉,车顺裴,薛诗妍,许多晶,金贞薰,李珠实,金锦顺,金根英,郑西仁,金佳恩,李大贤,安贤彬,姜成哲,黄仁俊,金范洙

• 正片

  赌博默示录

  藤原龙也,天海祐希,香川照之,山本太郎,光石研,松山研一,松尾铃木,佐藤庆,吉高由里子

• HD中字

  甩牙老虎

  洪金宝,林建明,王龙威,袁信义,钟发,太保,午马

• HD

  乔伊2024

  托马辛·麦肯齐,詹姆斯·诺顿,比尔·奈伊,夏莉·墨菲,里什·沙阿,欧因·达菲,道格·麦克梅金,塞西莉·克利夫,Mariam Haque,Abbiegail Mills

• HD中字

  挥别脑海

  卢克·柯比,罗丝玛丽·德薇特,迈克尔·切鲁斯,PHOEBE-RAE TAYLOR,科特尼·泰勒,朱迪斯·赖特

• HD

  从今以后2024

  区嘉雯,李琳琳,太保,梁仲恒,廖子妤,许素莹,梁雍婷,邵美君,李丽霞,余玉华,黎济铭,岑乐怡

• HD中字

  乔伊

  托马辛·麦肯齐,詹姆斯·诺顿,比尔·奈伊,夏莉·墨菲,里什·沙阿,欧因·达菲,道格·麦克梅金,塞西莉·克利夫,Mariam Haque,Abbiegail Mills

• HD国语

  绑架游戏电影版

  彭昱畅,胡冰卿,姚橹,小爱,史策,修睿,宋词,刘頔,唐赟

• HD

  复活之战

  阿瓦·拉塔纳平塔,查侬·散顶腾古,渡边信